For the mix it feels almost as if Agnes has scoured the world looking for kindred spirits – or kindred songs. Theres a quietude about it all, the antithe- sis of a rush hour, like a frozen lake on a Sunday morning. This is aided by a veritable cornucopia of new Obel material, including a haunting reading of Danish song Glemmer Du, Inger Christensens Poem About Death set to original music, and an Agnes original, Bee Dance.
Among them, theres the enigmatic Jamaican singer Nora Dean who weighs in with the hypnotic and slinky Duke Reid production, Ay Ay Ay Ay (Angie-Lala) and the sparse, sardonic Party Girl by Michelle Gurevich, so good it inspired the eponymous French movie. There are the plangent voices, The Bulgarian Folklore Choir, Nina Si- mone, Ray Davies and Agnes herself, ringing true. Some- how, Ms Obel makes even makes the electronic tracks bow to her needs as with Yello whose Great Mission is more Martin Denny than Underworld and cult Greek com- poser Lena Platonos Bloody Shadows From A Distance pulses gently rather than throbs and Cans recently redis- covered Obscura Primavera, unusually hushed.
"I was surprised at how much time I ended up spending on this. I collected all the songs together with my partner Alex and we just spent time listening to records, trying to see what would t together. Some of the music Ive included here is on mixtapes we made when we were just friends as teenagers. Each one of the tracks produces stories in my head."
小白兔官網
