Seen by Douglas himself as a bold rebirth and embrace of the electronic, Omni is all at once a throbbing, avant-garde, queer, dark and cinematic record imbued with a love of rave culture and sense of fearless storytelling thats deeply evocative.
Since 2013, Douglas has blurred classical, chamber-pop, folk and avant-garde to dazzling effect, with a startling voice that can stop you in your tracks. Its why hes played with luminaries like Nils Frahm, Perfume Genius and Ólafur Arnalds, and was selected by David Lynch and The Cures Robert Smith for their respective cultural festivals in Manchester (MIF) and London (Meltdown).
But Douglass fourth album, Omni, is a fresh awakening. Encouraged by Erased Tapes founder Robert Raths, he decided to step away from acoustic instruments, especially the piano he grew up playing, and swapped them for synths and drum machines.
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