End, the enigmatic new album by Explosions in the Sky, was inspired by darkness, but became a loud, dramatic, wild rumination on life and death. “Our starting point was the concept of an ending—death, or the end of a friendship or relationship. Every song comes from a story, or an idea one of us has had that we have all expanded on and made its own world. Maybe it is our nature, but we kept feeling that the album title was ultimately open to a lot more interpretation—the end of a thing or a time can mean a stop, but it can also mean a beginning, and what happens after one thing ends might pale in comparison to what it becomes next,” says the band about the album. End is perhaps the “grandest” Explosions In The Sky album – melding the quiet restraint and crushing feel of their early recordings with the aural exploration and ornate experimentation of their later works (while incorporating their increasingly deep film and television scoring catalog).
End is perhaps the “grandest” Explosions In The Sky album – melding the quiet restraint and crushing feel of their early releases with the aural exploration and ornate experimentation of their later works (while incorporating their increasingly deep film and television scoring catalog)
The title End furthers a story arc reflected in the album titles that started with the “innocence” of their first album(How Strange, Innocence), progressed through the idealism and romanticism of their second and third albums (Those Who Tell the Truth Shall Die, Those WhoTell the Truth Shall Live Forever and The Earth is Not aCold Dead Place), followed by the introspection (All of aSudden I Miss Every one and Take Care, Take Care, TakeCare) and introspection and big-picture focus (TheWilderness) of their most recent albums)
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