第三人稱平靜的口吻，第一人稱恐懼第一線的視角，明明親臨著如此駭人的經驗，卻異常的冷靜。Full of Hell 將金屬樂一向大塊佈局的——粗礪的power chord、緊迫逼人的雙踏和blast beat——轉化為編曲的中軸，另外加入了各種不同的聲音取樣，鋪陳出金屬樂的另一種面貌：激烈的嘶吼著關於死亡的掙扎，但卻與死神怒目相視的對決。
活埋是人類能遭遇過最恐怖的經驗，死已命定，生而未絕。誰能活著爬出來，冷靜的講述生命的邊緣是什麼光景？ (words by Tomato)
When Atom splits and the genome melts, will Cain cradle Abel?
Maryland/Pennsylvania experimental death-noise band FULL OF HELL have embarked on quite the journey leading up to the impending release of their latest full-length album Trumpeting Ecstasy, an album which will see the band deliver their most punishing, virulent, and dynamic album to date.
The embryonic beginnings of Full of Hell displayed their palette at its most primitive, d-beat and blast ridden hardcore punk with spats of noise and caustic rhythm, and within a few short years, they have bloomed into a true force to be reckoned with within the punk and metal communities. Since the release of their Profound Lore Records debut album Full Of Hell & Merzbow late 2014, their third full-length album, the band began to truly come into their own, combining elements of grindcore, death/black metal, punk and hardcore with a smattering of sonically laden power electronics and industrial pounding. It would also signal the band being at their most active and prolific ever since their inception in 2009.
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