Kit Sebastian – composed of K. Martin and Merve Erdem – announce their new album New Internationale, set for release 27th September on Flying Lotuss Brainfeeder record label, and unveil lead single “Metropolis”.
Speaking on “Metropolis”, Kit Sebastian says “The hook of this track was influenced by how many famous Azerbaijanis musicians like Vagif Mustafazadeh or Rafig Babayev approach their melodies, but played over a more western funk groove. We use the familiar Italian analog synth found in a junkyard and a mock-choir to create a choral texture. It ends with a samba section, with two drum kits, horn section and string section partially fed through an analog synth to process it.”
Lyrically, “Metropolis” portrays the immigrant experience, highlighting the pressures and disillusionments of trying to find control, meaning, and a sense of belonging in a seemingly indifferent and foreign world, all while grappling with the compromises between pursuing art as a profession and seeking stability. It is about projecting ones hopes and desires onto a new city, the naive sense of freedom this brings, and the inevitable disillusionment and desolation that follow.
New Internationale—their musically irrepressible and emotionally sophisticated third album, and their debut for Brainfeeder—is deliberate in a way Kit Sebastian has never really been. They wrote most of it on the road, energised by the sounds they discovered as they magpied instruments during their travels—Turkish clarinet, santour, oud, gangsa, zither, harpsichord, and on and on. They cut most of the tracks in London during brief breaks, longtime drummer Theo Guttenplan and double bassist David Richardson joining a panoply of horn, string, and percussion players. And during a year off from the road, where K. and Merve could concentrate on making sure the pieces moved together, they decamped to the French countryside for two weeks, leaving the distractions and moodiness of home. They captured vocals for 14 songs there in only half that time. Both Kit Sebastians busy touring schedule and subsequent break from it allowed Merve to step fully into these songs and their ever-shifting shapes, her confidence and versatility rising in tandem.
But rather than sounding stitched together from these assorted scenes, New Internationale is a riveting synthesis of the sounds and styles that have long tantalised Kit Sebastian—French pop and Anatolian psych, vintage Tropicalia and early rock n roll, with breezes of soul and prog blowing through the open windows of the pairs collective imagination.
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