幾年後她完成了《Nektyr》，Irma Orm所營造的聲響是一團一團的迷霧，距離之中融合了清晰的想像。以深遠的空間系作為基底，覆蓋細緻的打擊樂，莊嚴的鋼琴及靈動的和弦走法，組合成一種同神話中，海妖對航行者的誘惑之聲，使人在幻象中被拉近霧海中危險的燈火。 (words by Tomato)
A few years ago we received an anonymous email with a link to three tracks and a simple message: Hi, maybe you would be interested in this music. It’s easy to be skeptical of yet another link from yet another artist in a world overcrowded with them, but listening is our job and so we do it. The songs were instantly striking: extraordinarily slow, somber, and spacious, each vaulted cathedral chord reverberating poetically into the distance, the melodies rolling out like fog across a cemetery. Captivated, we requested more, receiving a single word in response: Yes. Then, nothing. Eventually, three months later, we received another email with slightly more information: a name (Irma Orm), a location (Stockholm), and a bit of context (she worked alone, and progress on music was slow but steady).
小白兔官網
